澳洲邦德作业代写:法兰克福学者

Keywords:澳洲邦德作业代写

法兰克福学者关注到马克思本人在作品中所忽视的艺术和文化的影响，尤其是艺术与文化的接受及其对政治气候的影响。总是有那些消化”群众文化和那些专注于“高”文化之间的差距；并对这两类艺术的影响是什么，比如Adorno，本杰明，Kirchiemer感兴趣的人，和弗洛姆。辩论中出现了许多问题，这些思想家Arato描述；“有更多的“真相”在高文化的意识形态或文化的“大众”潜伏？批评家应该集中精力在“工作”上，还是关注产品的生产和接收？在政治上激进的作品比现存的作品对现存的世界有多大的批判？（文章和Gebhardt，1978，P188）这篇文章将讨论辩论在学校本身在这些问题上，将其理论或许是最消耗的艺术形式的现代电影。在他的1936篇文章在机械复制时代的艺术作品，本雅明认为，艺术作品是生产和分配集体由于各种工艺包括光刻和摄影的发展。进一步发展的技术，允许大规模生产的艺术，导致艺术的发展，是专门设计要消耗集体。例如，制作一部电影是一项昂贵而及时的工作。不像一幅画只能被少数人一次或一本书，只能由一个人一次阅读，这部电影的意图是被屏蔽了大量的人在一次。电影的放映是一种共享的文化体验，一部电影的设计是为了让人们同时看到和理解，然后可以随意地思考和讨论它的意义。许多版画复制和分布在许多地区，以达到尽可能广泛的观众。
澳洲邦德作业代写:法兰克福学者
The Frankfurt scholars concerned themselves with the impact of art and culture that Marx himself had overlooked in his writings, in particular, the relationship between reception of art and culture and its influence on political climate. There has always been a gap between those who digest “mass’ culture and those who are preoccupied with “high’ culture; and the influence of these two types of art is what interested people such as Adorno, Benjamin, Kirchiemer, and Fromm. The debate that arose posed many questions for these thinkers as Arato describes; “Is there more ‘truth’ latent in the ideologies of high culture or in those of ‘mass’ culture? Should the critics concentrate on ‘works,’ or on the production and reception of ‘products’? Are politically radical works more or less critical of the existing world than autonomous works? (Arto and Gebhardt, 1978, p188) This essay will look at the debate within the school itself over these issues and apply its theory to perhaps the most consumed art form of the modern age, film.In his 1936 essay The Work of Art in the age of Mechanical Reproduction, Walter Benjamin notes that works of art have been produced and distributed en-masse thanks to the developments of various technological processes including lithography and photography. Further more the development of technology that allows mass production of art has led to the development of art that is specifically designed to be consumed en-masse. For example, the making of a film is a costly and timely business. Unlike a painting than can only be regarded by a few people at a time or a book that can only be read by one person at a time, the film is made with the intention of been screened to a large number of people at once. The screening of a film is a shared cultural experience, a film is designed to be seen and understood by a collection of people simultaneously who may then ponder and discuss its meaning at will. Many prints are reproduced and distributed throughout many territories to reach the widest possible audience.