澳洲格里菲斯作业代写 仁慈的典范
Keywords:澳洲格里菲斯作业代写 仁慈的典范
沃斯认为，佩里的表现是一个“仁慈的典范，然后是终身监禁”。[26]很明显，佩里一生都遭到了拒绝，从他的家人，从本应照顾他的修女，从公众，因为他的怪诞的外观和遗产。佩里讲述了他的“真正唯一的朋友”威利·杰伊是唯一一个认识到他的价值和潜力的人，他承认自己不仅仅是个身材矮小的人，“过度肌肉化的混血儿”。[27]沃斯认为，“表明佩里·史密斯生活在社会学和心理混乱中的证据是压倒性的……”[28]卡波特向读者提供了有关佩里艰难的成长和令人痛苦的成年生活的过多信息，表明他注定要转向犯罪生活。正是这个怪诞的人物，向读者揭示了他是一个具有艺术能力的敏感人，把读者的注意力转回了创造他的社会。有人问美国社会，其他人的行为和现有的结构是如何迫使他处于一种局外人的地位，而这种不可控制的愤怒正是从这种局外人的地位中产生的。特蕾莎·戈杜解释说：“哥德式的文化在逃避现实的同时，也记录了其文化的矛盾，呈现了一种扭曲的、而不是脱离现实的版本。”很明显，卡波特用哥特式手法揭露了美国社会的现实。聚焦的叙述风格让读者不安地接近凶手，因此“观看和参与此类暴力之间存在问题关系，从而表明读者在道德上与凶手的可怕罪行共谋。”[30]然而，在冷血中，美国社会在一定程度上是犯罪的同谋，因为他们的行为和社会结构在一定程度上有助于凶手的形成。无论是他们过时的先入为主的美国人的长相，还是他们残酷的死刑制度，卡波特都利用哥特式的过分和怪异的本质迫使读者重新审视自己和他们所处的社会。
澳洲格里菲斯作业代写 仁慈的典范
Voss argues that the presentation of Perry is a ‘model for mercy followed by life imprisonment’.It is evident that Perry has experienced rejection all of his life, from his family, from the nuns that were supposed to look after him, and from the general public as a result of his grotesque appearance and heritage. Perry recounts how his ‘real and only friend’ Willie-Jay, was the only person to ever recognise ‘his worth, his potentialities, had acknowledged he was not just an undersized, over-muscled half-breed’.Voss argues that ‘The evidence indicating Perry Smith’s life as a sociological and psychological mess is overwhelming…’. Capote provides the reader with excessive information about Perry’s difficult upbringing and distressing adult life, suggesting he was predestined to turn to a life of crime. It is this grotesque character, revealed to the readers to be a sensitive man with artistic capabilities, who turns the reader attention back to the society that created him. American society is asked how the behaviour of others and the structures in place forced him into his outsider status from which this uncontrollable angered stemmed.Teresa Goddu explains that ‘[i]nstead of fleeing reality, the gothic registers its culture’s contradictions, presenting a distorted, not a disengaged, version of reality.’. This is evident as Capote uses the Gothic to expose the reality of American society. The focalised narrative style allows the readers to become uncomfortably close to killers so there is a ‘problematic relationship between watching and participating in such violence, thus suggesting the reader’s moral complicity in the murderer’s terrible crime.’.[30] However, in In Cold Blood, American society is partially complicit in the crime as it is partly their behaviours and social structures which aid in the formation of the killers. Whether it be their outdated preconceptions what an American looks like or their brutal capital punishment system, Capote uses the excessive and grotesque nature of the Gothic to force the reader to re-examine themselves and the society they are in.
